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林莎 Sha Lin

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林莎 Sha Lin

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08inorout.png

In or Out

此畫筆法紛亂·卻亂中有序:在由上而下的線 構圖中·由點而線·由線而面。「點」說明了精子與卵子所衍生的最初生命體·在 不斷的滋長中·因連結、繁衍而成「線」成「面」。然生命的蘊育中·卻隱隱伏 著一股內在的衝突·就如畫幅下方橫破線 構圖 的滾滾黑流·時而潛藏·時而浮現·乃生命之真實現象。

Mainly based on a vertically linear composition, this painting has created a very subtle perspective in both visual and pictorial structure. Being the symbol of the human cells, these dots have formed numerous vertical lines representing flesh and blood through a continuous movement. However, as this initial life form grows and nourishes, there is a hidden "desire" in the depiction of a serpent-like blackness that appears suddenly inside out from the right to the left to destroy the existing linear structure and twist the essence of life. 

 

made in 1997

Mixed Media on paper

27 x 54 in

In or Out

此畫筆法紛亂·卻亂中有序:在由上而下的線 構圖中·由點而線·由線而面。「點」說明了精子與卵子所衍生的最初生命體·在 不斷的滋長中·因連結、繁衍而成「線」成「面」。然生命的蘊育中·卻隱隱伏 著一股內在的衝突·就如畫幅下方橫破線 構圖 的滾滾黑流·時而潛藏·時而浮現·乃生命之真實現象。

Mainly based on a vertically linear composition, this painting has created a very subtle perspective in both visual and pictorial structure. Being the symbol of the human cells, these dots have formed numerous vertical lines representing flesh and blood through a continuous movement. However, as this initial life form grows and nourishes, there is a hidden "desire" in the depiction of a serpent-like blackness that appears suddenly inside out from the right to the left to destroy the existing linear structure and twist the essence of life. 

 

made in 1997

Mixed Media on paper

27 x 54 in

08inorout.png

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